“You nervous about something?”
One of the noteworthy things about Dark Shadows – a soap created by a man who had never before done a soap, a series just starting out on the lesser of the three television networks – was the top-notch level of supporting actor talent the show was able to attract early on, despite having been a ratings liability from its initial thirteen-week episode cycle. There are those with previous television experience but who became known for their work on Dark Shadows, like Louis Edmonds and Nancy Barrett. There are those with no earlier television experience but who defined the roles they originated on Dark Shadows, like Alexandra Moltke and Kathryn Leigh Scott. Then there are those actors already known to television audiences but who became better known in later years for work done subsequent to Dark Shadows, like Conrad Bain. Barnard Hughes would fall into this latter category. That’s right! Barnard Hughes, one of the great and memorable character actors of twentieth century stage and screen and tube, is part of the long roster of acting talent to have graced the studio soundstage of Dark Shadows.
Continue reading “Episode 27: A Lesson in Finance”
Long before Angelique made her debut on Dark Shadows, the summer of 1966 had its own witchy presence on the show in the first few weeks – in the form of director Lela Swift, who, with just a few spellbinding words spoken through a control room microphone, could make a supporting actor so nervous that he wouldn’t be able to perform his scenes effectively. He might even be forced to leave the show. It seems no one could escape the curse of Lela Swift.
Since the third week of taping, she has been on a verbal rampage leveled at supporting cast members that she can’t stand. In her war of attrition waged through her weapon of choice, the control room microphone, there will be collateral damage, where the innocent are made to be casualties, and in this episode it will be George Mitchell, the originator of the Matthew Morgan role.
Continue reading “Episode 16: The Curse of Lela Swift”
After three weeks on the air, Dark Shadows has created its first monster.
Continue reading “Episode 15: Mechanics Made Easy, Pt. 1”
To close out his visit at Collinwood, Burke has asked Roger to drive into town to meet him at the Blue Whale to discuss a business matter. A short time later, Burke is found by Vicki in the garage standing next to Roger’s car with a wrench in his hand. Meanwhile David, who has been up in his room reading a magazine on do-it-yourself mechanics, takes from his dresser a small cylindrical metal object which he then attempts to stash in Vicki’s room, but flies into hysterics after she walks in and catches him in the act. Joe stops by to pick up Carolyn for a date. They are planning on a movie, but when Carolyn finds out from Vicki that Burke will be at the Blue Whale to meet Roger, she talks Joe into taking her there instead, which is where he started a fight just the night before over Carolyn’s eager interest in the other men there. To top it off, Dark Shadows is featuring its very first in a long line of dry thunderstorms.
Continue reading “Episode 14: The Fifth Wheel”
Months before becoming known as the vampire soap opera, Dark Shadows was a show about ghosts and goblins, or at least the frequent mention thereof. But on the Friday of the second week, the show produced a monster, one that proved especially unnerving because it was so real and true to life and therefore possible – a nine-year-old boy named David.
Continue reading “Episode 10: Little Monster”