With the death of Bill Malloy now an official fact, on this day in the town of Collinsport measures are being taken to observe his passing. The family-owned business for which Malloy devoted the greater share of his livelihood, first on the fishing boats and then as plant manager, has shuttered its operations for the remainder of the day. It was Roger Collins who made the suggestion to Elizabeth, but of course Roger would do anything to get out of work, if only for an afternoon.
It’s a dead man’s holiday, but the day really belongs to the sheriff of Collinsport. Dana Elcar appears on every set in use during today’s episode, and each appearance made by Sheriff Patterson will have a decisive effect on the actions of whomever he interacts with.
The opening narration by Victoria Winters tells of how “the long shadows of fear do reach out, touching others, darkening their hearts with growing tension.” Sam Evans for one, and Roger Collins for another, each have reason to be tense and fearful, especially with the sheriff making his rounds with hard questions that demand frank answers.
Still, there are others whose hopes and dreams cannot be shattered by the grim fact of Malloy’s demise. Joe Haskell has stopped in at the Blue Whale and is flagged down by Sam who gets Joe to join him at his table for a beer. Then when the sheriff happens in and joins them, he convinces Joe to take advantage of this nice afternoon off and go with Carolyn out for a drive in the country. Joe’s dream is of course to marry Carolyn, and a few hours just getting away from it all might find them talking of plans for the future.
Then there’s young David Collins, who in a morbid twist finds renewed hope through Mr. Malloy’s death. With the aid of a book devoted to local tide charts and currents, David will do his best to see if he can determine where exactly Mr. Malloy fell in the water. David believes that Mr. Malloy was murdered by his father, because his crystal ball told him so, and because having his father sent to prison would mean becoming free of the pervasive threat of being sent away himself. As David admits in this episode, he likes it there at Collinwood, with all his ghost friends, one of whom may even be Mr. Malloy.
Continue reading “Episode 58: Dead Man’s Holiday”
The Wikipedia page for Dark Shadows links the nineteenth century novel The Count of Monte Cristo with the story of Burke Devlin:
Burke Devlin’s Revenge For His Manslaughter Conviction, episode 1 to 201.
The accompanying citation, with something one would typically expect from all things Wikipedia, provides erroneous information:
“In episode 28, Burke Devlin is seen reading this novel. It similarity to events is commented upon i.e. a man returning to his home town to wreak revenge.”
They’re only off by ten episodes; and “it” should be “its” and “home town” is one word.
Now that we’ve done the necessary proofreading, let’s examine the more probable origins of the story of Burke Devlin, one of the main driving forces behind the beginnings of Dark Shadows.
Continue reading “Episode 38: The Count of Monte Devlin”
(Ruth Hussey and Ray Milland in the 1944 motion picture The Uninvited)
Dan Curtis is the last man you’d think would ever create a soap opera for daytime television. Very much a man’s man, Curtis began his television career in the 1950s by pitching TV syndication sales for NBC and eventually breaking through in 1963 as creator and executive producer of The CBS Golf Classic. The year before, he had created the Golf Challenge for ABC. You couldn’t get any further from the audience for such daytime soaps as General Hospital than a sports program featuring ball competition between Arnold Palmer and Gary Player.
While asleep one night in 1965, Curtis had a dream about a young governess on a train taking her somewhere up the coast of New England to a large house where she gets caught up in the intrigues of a wealthy and mysterious family. It has often been said that it was Jane Eyre that Curtis was bringing to daytime television as the first gothic romance; but it’s more likely that while in the dream state his subconscious was piecing together a reinterpretation of a 1945 motion picture called The Unseen.
The Unseen stars Gail Russell as a governess in her early twenties who travels from the big city to a New England village to tutor two small children, one of them a troubled boy whose mother is recently absent from the household and whose father is cold and disdainful toward him and who thinks of him as a congenital liar and “little monster.” Produced by John Houseman (Professor Kingsfield from The Paper Chase), The Unseen was Paramount Pictures’ follow-up to 1944’s The Uninvited, which also starred Gail Russell as a young woman who gets thrown into the center of paranormal disturbances plaguing a large house along the rocky coast of Cornwall, England. In terms of atmosphere, there are a good many similarities between The Uninvited and what was first presented on Dark Shadows more than twenty years later, including the strange and unsettling sound of a woman sobbing in the night, the source of which can never be pinpointed to any exact location in the big house.
So while Dark Shadows is still Art Wallace’s baby, at least in terms of story development and episode script writing, let’s take an in-depth look at the earlier influences he drew upon to bring the dream vision of Dan Curtis to life on daytime network television…
Continue reading “Dark Shadows from the Beginning Special Edition: Origins of Dark Shadows: The Uninvited (1944) and The Unseen (1945)”