Victoria Winters has a brand new best friend.
Witness the new though not yet improved Roger Collins.
It’s going off the series outline, allowing the character to virtually groom the young governess with charm and deceit, but it beats the alternative of having Roger eventually killed off as planned thus consigning the talents of Louis Edmonds to the elusive realm of those famous Collinwood ghosts and legends that get spoken of so often yet never actually seen and realized in full.
Continue reading “Episode 71: School’s Out for Roger”
Set only in Collinwood, Monday’s episode, number sixty-six in the series, is a study in minimalism with four actors in the cast and only two sets in use. It’s just as well that they save a little in the budget to start the week, given how Dan Curtis is planning something big for Friday.
You’d figure David and Carolyn would be downstairs with all the raising of voices this evening in both the Collinwood foyer and drawing room over Burke’s unwanted presence there, but as noted above the week’s budget also calls for a slight cutback in realism. We’ll check in with the little monster and the belle of the ball as the week moves on. Today is for voicing suspicions in the death and disappearance, and subsequent washing ashore and pushing away, of Bill Malloy – specifically, on whether it’s reasonable to consider whether both Roger Collins and Matthew Morgan have been working as a team.
There is also ample room in today’s episode to explore the lonely plight of Victoria Winters’ upbringing in the foundling home in New York, with Mrs. Stoddard’s obvious pangs of guilt on full display but who is nonetheless unable to reveal the maternal truth the viewer by now is certain she has been keeping from the young governess. Sadly, today’s episode thus represents yet another lost opportunity in the story of Victoria Winters.
Continue reading “Episode 66: A Killer Alibi”