Episode 56: More Problems Dead Than Alive

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One thing is now clear about the disappearance and death of Bill Malloy: Sam Evans couldn’t have been responsible. This doesn’t necessarily mean that other folks around Collinsport wouldn’t look upon him with suspicion, like the sheriff, were it determined that Malloy had indeed met his end as a result of foul play. In a poetic twist, he could even be framed, tried, and convicted just as Burke Devlin had been for manslaughter ten years before. Even worse, what happened to Bill could just as easily happen to him.

 

Sam Evans thus has reason to be running scared. If Malloy had made it to the meeting that night, Sam would be faced with charges for withholding evidence relating to the Devlin trial along with the possibility of prison time. Now with Malloy dead and the question of murder and motive not outside the realm of possibility, the penalty looming ahead could mean a life sentence.

 

Based on Sam’s words and actions in the previous episode and this one however, it seems the grim balance of fate is weighing most heavily on his mind today. In a drunk and desperate moment, he’s already admitted to Bill what he knows about Roger Collins, and now Malloy has turned up dead.

 

Whatever the outcome, for Sam Evans especially Bill Malloy represents more problems dead than alive.

 

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Episode 53: Our Caretaker’s a Real Gem

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“Oh, good eve – or rather, good afternoon.”

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“My sense of time has been somewhat confused of late, what with an apparent influence from my nighttime program having taken hold here in this particular half-hour of daytime television. Naturally I find this little known fact most flattering.”

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“I was about to select a wine for today’s story.”

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“As you can see, I’m selecting from three varieties, as I’m quite unaccustomed to partaking in the late afternoon. After all, my brand of subject matter is so much better suited to the later part of the evening.”

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“Today’s teleplay presents a rather compelling story built on the themes of trust and loyalty put to the test in the face of suspicion. The more entertaining scenes are centered around a mischievous young boy, and an even more mischievous grown-up caretaker.”

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“To help this fledgling daytime program along in its evolution of adopting the style of story content seen much later on most of those other stations, I’ve even brought along one of my sponsors. After the opening theme, you will as always be subjected to that inevitable minute with the sponsor, but fortunately the one I’ve brought you this afternoon goes considerably well with whatever it is you happen to be drinking. Which reminds me, I have now selected a wine…”

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“…and I shall just leave you to your allotted minute with the sponsor, so that you may select whichever type of drink you find is best suited for this next half-hour.”

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Episode 52: Something Uninvited

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Today Dark Shadows crosses over to the supernatural. In so doing, a new chapter in the story of Victoria Winters is presented; more about this below, in the main body of the post.

 

Dark Shadows fans have wondered why the original story of Victoria Winters, as outlined in the series bible Shadows on the Wall by story creator and developer Art Wallace, was dropped. It wasn’t; rather, it was revised.

 

Episode 60, also written by Wallace, strongly hints for the family background of Victoria Winters a maternal rather than paternal link to Collinwood, which is implied further in episode 127.

 

For now, today’s episode provides the first ever Dark Shadows mashup:

 

Alfred Hitchcock Presents + The Uninvited = Dark Shadows episode 52

 

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Episode 49: The Case of the Vanishing Man: Part 2, Questions and Concerns

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Today the talk of Collinsport is Bill Malloy.

 

Not that he was particularly popular; matter of fact, most folks just seemed to take him for granted, that is, when he was around.

 

It’s a seeming disappearance that has everyone talking about a man many around town wouldn’t have otherwise given a second thought to.

 

Even more than this, there exists in the minds of some the possibility of foul play, causing even friends of long-standing to begin turning against one another.

 

That’s what happens when you bring Alfred Hitchcock to a town like Collinsport; the smaller the populace, the larger the mystery, the more persistent the questions, the greater the concerns.

 

Continue reading “Episode 49: The Case of the Vanishing Man: Part 2, Questions and Concerns”

Episode 43: The Man Who Learned Too Much

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Bill Malloy these days comes across as the man with all the answers; or at the very least appears to know the proper solutions, and the means of applying them, to save the Collins family from ruin in the face of Burke Devlin’s determined vendetta.

 

Knowledge can be a blessing; freeing you from short-sighted doubt as well as fear of the unknown. Knowledge can also be a curse; setting you apart from others while leaving you torn over sudden and unforeseen divided loyalties.

 

So what do you do when you’ve learned too much about the very people you rely on the most? If you’re Bill Malloy, you skip out on work for an afternoon and go to the Blue Whale where you can find a nice quiet table to drink things over for a while.

 

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Episode 38: The Count of Monte Devlin

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The Wikipedia page for Dark Shadows links the nineteenth century novel The Count of Monte Cristo with the story of Burke Devlin:

 

Burke Devlin’s Revenge For His Manslaughter Conviction, episode 1 to 201.

 

The accompanying citation, with something one would typically expect from all things Wikipedia, provides erroneous information:

 

“In episode 28, Burke Devlin is seen reading this novel. It similarity to events is commented upon i.e. a man returning to his home town to wreak revenge.”

 

They’re only off by ten episodes; and “it” should be “its” and “home town” is one word.

 

Now that we’ve done the necessary proofreading, let’s examine the more probable origins of the story of Burke Devlin, one of the main driving forces behind the beginnings of Dark Shadows.

 

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Dark Shadows from the Beginning Special Edition: Origins of Dark Shadows: The Uninvited (1944) and The Unseen (1945)

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(Ruth Hussey and Ray Milland in the 1944 motion picture The Uninvited)

 

Dan Curtis is the last man you’d think would ever create a soap opera for daytime television. Very much a man’s man, Curtis began his television career in the 1950s by pitching TV syndication sales for NBC and eventually breaking through in 1963 as creator and executive producer of The CBS Golf Classic. The year before, he had created the Golf Challenge for ABC. You couldn’t get any further from the audience for such daytime soaps as General Hospital than a sports program featuring ball competition between Arnold Palmer and Gary Player.

 

While asleep one night in 1965, Curtis had a dream about a young governess on a train taking her somewhere up the coast of New England to a large house where she gets caught up in the intrigues of a wealthy and mysterious family. It has often been said that it was Jane Eyre that Curtis was bringing to daytime television as the first gothic romance; but it’s more likely that while in the dream state his subconscious was piecing together a reinterpretation of a 1945 motion picture called The Unseen.

 

The Unseen stars Gail Russell as a governess in her early twenties who travels from the big city to a New England village to tutor two small children, one of them a troubled boy whose mother is recently absent from the household and whose father is cold and disdainful toward him and who thinks of him as a congenital liar and “little monster.” Produced by John Houseman (Professor Kingsfield from The Paper Chase), The Unseen was Paramount Pictures’ follow-up to 1944’s The Uninvited, which also starred Gail Russell as a young woman who gets thrown into the center of paranormal disturbances plaguing a large house along the rocky coast of Cornwall, England. In terms of atmosphere, there are a good many similarities between The Uninvited and what was first presented on Dark Shadows more than twenty years later, including the strange and unsettling sound of a woman sobbing in the night, the source of which can never be pinpointed to any exact location in the big house.

 

So while Dark Shadows is still Art Wallace’s baby, at least in terms of story development and episode script writing, let’s take an in-depth look at the earlier influences he drew upon to bring the dream vision of Dan Curtis to life on daytime network television…

 

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