Episode 44: You Can Bank On It

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Today Elizabeth Stoddard’s banker John Harris drives down from Bangor to present her with financial documents for a trust fund she has set up for David. Cast for the role is Patrick McVey, who turns in what can only be described as the single least proficient performance of any actor ever to appear on Dark Shadows. An explanation for this is provided in the “background audio” section of the post on episode 43 as well as below in today’s post.

 

In the summer of 1966, there was a viral outbreak in the Dark Shadows studio, and Patrick McVey was among those infected. Lelarichia swifteria is a rare virus affecting mainly male middle-aged supporting actors on Dark Shadows. Symptoms of L. swifteria begin with confusion and unease followed by a sudden drop in confidence, soon progressing to reduced motor capacity affecting abilities for memory of lines as well as timing and steadiness of delivery.

 

In some cases, the afflicted sufferer may manage to sustain themselves for multiple appearances over several episode tapings, but in many cases L. swifteria proves fatal to an actor’s duration on Dark Shadows.

 

There is no known cure.

 

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Episode 43: The Man Who Learned Too Much

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Bill Malloy these days comes across as the man with all the answers; or at the very least appears to know the proper solutions, and the means of applying them, to save the Collins family from ruin in the face of Burke Devlin’s determined vendetta.

 

Knowledge can be a blessing; freeing you from short-sighted doubt as well as fear of the unknown. Knowledge can also be a curse; setting you apart from others while leaving you torn over sudden and unforeseen divided loyalties.

 

So what do you do when you’ve learned too much about the very people you rely on the most? If you’re Bill Malloy, you skip out on work for an afternoon and go to the Blue Whale where you can find a nice quiet table to drink things over for a while.

 

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Dark Shadows from the Beginning Special Edition: Origins of Dark Shadows: The Uninvited (1944) and The Unseen (1945)

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(Ruth Hussey and Ray Milland in the 1944 motion picture The Uninvited)

 

Dan Curtis is the last man you’d think would ever create a soap opera for daytime television. Very much a man’s man, Curtis began his television career in the 1950s by pitching TV syndication sales for NBC and eventually breaking through in 1963 as creator and executive producer of The CBS Golf Classic. The year before, he had created the Golf Challenge for ABC. You couldn’t get any further from the audience for such daytime soaps as General Hospital than a sports program featuring ball competition between Arnold Palmer and Gary Player.

 

While asleep one night in 1965, Curtis had a dream about a young governess on a train taking her somewhere up the coast of New England to a large house where she gets caught up in the intrigues of a wealthy and mysterious family. It has often been said that it was Jane Eyre that Curtis was bringing to daytime television as the first gothic romance; but it’s more likely that while in the dream state his subconscious was piecing together a reinterpretation of a 1945 motion picture called The Unseen.

 

The Unseen stars Gail Russell as a governess in her early twenties who travels from the big city to a New England village to tutor two small children, one of them a troubled boy whose mother is recently absent from the household and whose father is cold and disdainful toward him and who thinks of him as a congenital liar and “little monster.” Produced by John Houseman (Professor Kingsfield from The Paper Chase), The Unseen was Paramount Pictures’ follow-up to 1944’s The Uninvited, which also starred Gail Russell as a young woman who gets thrown into the center of paranormal disturbances plaguing a large house along the rocky coast of Cornwall, England. In terms of atmosphere, there are a good many similarities between The Uninvited and what was first presented on Dark Shadows more than twenty years later, including the strange and unsettling sound of a woman sobbing in the night, the source of which can never be pinpointed to any exact location in the big house.

 

So while Dark Shadows is still Art Wallace’s baby, at least in terms of story development and episode script writing, let’s take an in-depth look at the earlier influences he drew upon to bring the dream vision of Dan Curtis to life on daytime network television…

 

Continue reading “Dark Shadows from the Beginning Special Edition: Origins of Dark Shadows: The Uninvited (1944) and The Unseen (1945)”