Today Dark Shadows crosses over to the supernatural. In so doing, a new chapter in the story of Victoria Winters is presented; more about this below, in the main body of the post.
Dark Shadows fans have wondered why the original story of Victoria Winters, as outlined in the series bible Shadows on the Wall by story creator and developer Art Wallace, was dropped. It wasn’t; rather, it was revised.
Episode 60, also written by Wallace, strongly hints for the family background of Victoria Winters a maternal rather than paternal link to Collinwood, which is implied further in episode 127.
For now, today’s episode provides the first ever Dark Shadows mashup:
Alfred Hitchcock Presents + The Uninvited = Dark Shadows episode 52
Continue reading “Episode 52: Something Uninvited”
Today Victoria Winters is making her first visit to the Blue Whale, while enjoying her first alcoholic beverage since arriving in Collinsport – even though she’s underage.
The character of Victoria Winters, and the actress who plays her, is barely twenty. Burke Devlin, the man who bought her the drink, is over thirty.
Evidently, the bartender didn’t ask to see the young lady’s ID. In yesterday’s episode, he wouldn’t even shut down a drunk and hollering Joe Haskell.
This won’t be the last time on the show where older men will be plying drinks on young underage girls. In those days, you could get away with that kind of thing. Dark Shadows, during that unsupervised era of daytime television, manages to do just that.
Those were the days!
Continue reading “Episode 34: A Ripple in the Whirlpool”
One of the charms of these early episodes of Dark Shadows is something I call “scene connectors.” Someone will close out a scene with a phrase or word, like when Joe Haskell asks Burke Devlin what he wants in exchange for what Devlin has offered him, and Devlin answers, “Information.” Then they cut away to the next scene, which begins by someone else taking up that key phrase or word but in a completely different context: “But I can’t give you any information,” Maggie Evans tells Roger Collins. “Pop’s a free soul, you know that. He wanders.” Just minutes ago, Roger, who is not such a free soul, wandered into the coffee shop just before closing time under the pretext of seeing if there’s “any coffee left in the hopper.” But what he really wants to know is where Sam Evans is. You’ll recall that in the previous episode Roger exploded when he realized that Burke Devlin is back in town – and what he needs this late hour is to pin down the whereabouts of a local artist who paints seascapes and sunsets. At this point Roger has something the viewer lacks: information.
Continue reading “Episode 3: Information”