The Wikipedia page for Dark Shadows links the nineteenth century novel The Count of Monte Cristo with the story of Burke Devlin:
Burke Devlin’s Revenge For His Manslaughter Conviction, episode 1 to 201.
The accompanying citation, with something one would typically expect from all things Wikipedia, provides erroneous information:
“In episode 28, Burke Devlin is seen reading this novel. It similarity to events is commented upon i.e. a man returning to his home town to wreak revenge.”
They’re only off by ten episodes; and “it” should be “its” and “home town” is one word.
Now that we’ve done the necessary proofreading, let’s examine the more probable origins of the story of Burke Devlin, one of the main driving forces behind the beginnings of Dark Shadows.
Continue reading “Episode 38: The Count of Monte Devlin”
“What are you supposed to be, a doorstop?”
If the ancient proverb about the truth setting one free is to be believed, then Collins family matriarch Elizabeth Stoddard has walled herself up in a fortress of mind so sheltered as to block out any and all illuminating rays of reason.
The very minute Vicki had come to her with the story that she’d found the missing brake valve from Roger’s car in a dresser drawer in David’s room while she’d been searching for a letter from the foundling home she thought he might have taken from her room, Mrs. Stoddard has continually turned her back on the probable truth – that her nephew may indeed be guilty of having committed an unspeakable act. Her first reaction was, “I… I don’t believe you.”
Carolyn, on the other hand, didn’t need much convincing, largely for two reasons. On an adventurous whim, she had gone into town that day to drop in and visit Burke Devlin in his hotel room. She had also insisted that at the end of the visit he drive her back to Collinwood, believing that if she could bring Burke and his mother and uncle Roger together they could work out their differences and the cloud of tension that had been hovering over Collinwood in recent days could be dispelled. Another motivation may have had something to with that despite her involvement and apparent engagement to Joe Haskell, Carolyn seems to be developing something of a crush on the mysterious Mr. Devlin. So, if it turns out that Burke may not be guilty of having tampered with the brakes on Roger’s car, then it means she will no longer have to be carrying the guilt of having made it possible in bringing him to Collinwood. That’s reason number one. Reason number two has to do with the fact that she thinks of her cousin David as a little monster anyway.
Continue reading “Episode 29: Mechanics Made Easy, Pt. 2”
Long before Angelique made her debut on Dark Shadows, the summer of 1966 had its own witchy presence on the show in the first few weeks – in the form of director Lela Swift, who, with just a few spellbinding words spoken through a control room microphone, could make a supporting actor so nervous that he wouldn’t be able to perform his scenes effectively. He might even be forced to leave the show. It seems no one could escape the curse of Lela Swift.
Since the third week of taping, she has been on a verbal rampage leveled at supporting cast members that she can’t stand. In her war of attrition waged through her weapon of choice, the control room microphone, there will be collateral damage, where the innocent are made to be casualties, and in this episode it will be George Mitchell, the originator of the Matthew Morgan role.
Continue reading “Episode 16: The Curse of Lela Swift”
It’s a Wednesday in 1966, and Burke Devlin has been hanging out in the drawing room at Collinwood since Monday. Fortunately, there’s plenty of brandy on hand to keep him hydrated while he chats with Liz and waits for Roger to show up, who’s been avoiding the drawing room since last Friday, ever since Carolyn brought Burke to Collinwood.
Continue reading “Episode 13: Meeting in the Odd Places”
One of the big, lingering disappointments for many Dark Shadows fans is the lack of a story resolution for Victoria Winters.
This question is the basis for the very beginnings of Dark Shadows, the meaning of which is spelled out in the opening narrative that launches the first episode: Who am I? And now, in her first full day at Collinwood, the hope that she may be able to find out something about herself – her past, her origin – is enough to convince her to stay on at her new job, despite having just endured what she later recounts to Carolyn Stoddard as “the most frightening night of my life.” Because if she goes, all she will have is the ten words written about her on a piece of paper when she was left at the foundling home: “Her name is Victoria. I cannot take care of her.” So she has decided to keep searching, hoping, waiting.
Continue reading “Episode 6: Searching, Hoping, Waiting…”