Episode 36: The David Ford Effect

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The addition of David Ford as the new Sam Evans has had an immediate and energizing effect on fellow Dark Shadows cast members, most notably with Louis Edmonds’ performance as Roger Collins.

 

Fresh off the Hartford Stage in a year-long run as Big Daddy in Cat on a Hot Tin Roof, David Ford’s distinctly dramatic infusion of Tennessee Williams into his portrayal of Sam Evans has awakened a theatrical spirit in those among the cast who already had a strong background on the live stage.

 

Louis Edmonds for one got his start as a New York stage actor, working in regional theater and Off-Broadway before finally breaking through with a Broadway production of Candide in 1956. To work alongside an actor like David Ford must have been like going home, because he’s absolutely on fire in this episode, giving one of his best ever performances as Roger Collins, scene after scene.

 

Hereafter, when auditioning actors for new roles or as replacements for existing characters, the casting department will more and more be looking to New York City and regional theater for talent.

 

The arrival of David Ford represents a watershed moment on Dark Shadows, where fairly tame and ordinary melodrama has the potential to achieve the heights of high drama. This initial transformation will eventually pave the way for the casting of a certain Shakespearean actor in the role of a vampire.

 

But that’s months off still and, as yet, something unforeseen. One thing follows another, but only by chance – that’s the magic that made the run of the series one of a kind, and why Dark Shadows could only happen once.

 

For now, “the David Ford effect” is getting the production crew of Dark Shadows to rethink the show’s approach to acting and where they should be looking for the talent to add that extra spark and make scenes more riveting, with the actors themselves pulling out all the stops to move things up a notch by adding a more theatrical sense of drama to their performances beginning with today’s episode, making the pages of dialogue seem more alive and bringing to the character portrayals that one extra layer of fullness and depth.

 

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Episode 35: A Great Dramatic Reading

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“The character of Sam Evans will be played by David Ford.”

 

Dark Shadows is known mainly as a “vampire soap” to even those with only a passing knowledge or awareness of the original TV series that aired weekday afternoons between 1966 and 1971.

 

Before rocketing into the public lexicon as television’s first vampire series, there were five gradual transformations that took place without which the “Barnabas era” of Dark Shadows would not have been possible.

 

The most significant transformation is, of course, the arrival of Barnabas Collins in 1967. The precursor to Barnabas was the phoenix story, featuring a fiery goddess threatening to consume and destroy the lives of all those with whom she comes in contact. The phoenix was the first supernatural monster on Dark Shadows. Before this was the first appearance of a ghost in episode 70, which was preceded in episode 52 by a supernatural occurrence in the Collinwood drawing room where a book was opened as if by the hand of an invisible spirit. The first essential transformation occurs here in episode 35 with the acting department, as David Ford joins the cast in the role of Sam Evans, taking over for Mark Allen who last appeared in episode 22.

 

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Episode 28: Everyone’s Just Curious, Not Worried

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“…when it comes to that family, nobody’s just curious.”

 

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Episode 26: Can He Cut the Mustard?

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How can Jonas Carter cut the mustard as the sheriff of Collinsport, when he doesn’t even like mustard on ham?

 

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Episode 25: People Management

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Victoria Winters is searching for her past. Having been raised in a foundling home in New York, she has taken a job hundreds of miles away in Collinsport, Maine, as a companion and governess to a nine-year-old boy only because of the anonymous letters that would arrive each month at the foundling home containing fifty dollars in cash for her care beginning when she was two years old. Because the postmark on the envelopes was from Bangor, only fifty miles away from Collinsport, now eighteen years later she thinks that by taking on this position she might find out something about her mysterious past, something more than the surname she was given because of the season of the year she was left on the front steps of the foundling home in a cardboard box, with only a ten-word note and a first name.

 

Two days after having stepped off the train in Collinsport, a letter sent special delivery has arrived from the foundling home detailing a visit they received from a private investigator wondering why she was hired to work for the Collins family and by whom.

 

No one wants to know the answers to these questions more than Victoria Winters herself, but to her dismay none of the people around her care to even discuss the matter. The only interest in her letter comes from someone who has no reason to be even remotely curious – the young boy she tutors.

 

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Episode 24: Taking Risks

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Burke Devlin is one of the more intriguing characters of Dark Shadows beginnings. You never really know if he’s a good guy or a bad guy. He gets on the right side of characters we like, especially Maggie and Sam Evans. On the other hand, despite appearances he seems insensitive with other characters we like, including Carolyn Stoddard, and derives amusement from antagonizing other characters we like, particularly Joe Haskell.

 

Still, you have to root for the underdog, and in terms of Burke Devlin that means Collinsport Inn vs. Collinwood mansion, Burke’s hotel room vs. the Collins family drawing room.

 

Episode 24 belongs to Burke Devlin, and is set exclusively on his “home” turf.

 

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Episode 23: Doing a Little Digging

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To many Dark Shadows fans, the notion of the Collinsport police in general and the sheriff in particular is something of a joke, given how in later years of the show the town seems to be run by the vampires and assorted monsters and ghosts who predominate at any given time.

 

But the beginnings of Dark Shadows are a different matter, with its leanings toward more of a sense of realism. Here in the early days, police are competent and thorough; any criminal in their midst would have cause to worry, especially if the perpetrator in question is a nine-year-old boy who’s guilty of attempted murder.

 

Episode 23 is our introduction to Constable Jonas Carter, the only sworn officer of the law in the history of Dark Shadows who ever solved a crime.

 

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