Burke Devlin is one of the more intriguing characters of Dark Shadows beginnings. You never really know if he’s a good guy or a bad guy. He gets on the right side of characters we like, especially Maggie and Sam Evans. On the other hand, despite appearances he seems insensitive with other characters we like, including Carolyn Stoddard, and derives amusement from antagonizing other characters we like, particularly Joe Haskell.
Still, you have to root for the underdog, and in terms of Burke Devlin that means Collinsport Inn vs. Collinwood mansion, Burke’s hotel room vs. the Collins family drawing room.
Episode 24 belongs to Burke Devlin, and is set exclusively on his “home” turf.
Continue reading “Episode 24: Taking Risks”
In a Manhattan television studio, a soap within a soap is playing out behind the scenes of a Gothic daytime drama. With tension rising, a troubled actor in a desperate moment lashes out with a burst of violence that may signal his downfall…
Continue reading “Episode 19: An Interest in Human Nature: More of The Perils of Mark Allen”
Long before Angelique made her debut on Dark Shadows, the summer of 1966 had its own witchy presence on the show in the first few weeks – in the form of director Lela Swift, who, with just a few spellbinding words spoken through a control room microphone, could make a supporting actor so nervous that he wouldn’t be able to perform his scenes effectively. He might even be forced to leave the show. It seems no one could escape the curse of Lela Swift.
Since the third week of taping, she has been on a verbal rampage leveled at supporting cast members that she can’t stand. In her war of attrition waged through her weapon of choice, the control room microphone, there will be collateral damage, where the innocent are made to be casualties, and in this episode it will be George Mitchell, the originator of the Matthew Morgan role.
Continue reading “Episode 16: The Curse of Lela Swift”
To close out his visit at Collinwood, Burke has asked Roger to drive into town to meet him at the Blue Whale to discuss a business matter. A short time later, Burke is found by Vicki in the garage standing next to Roger’s car with a wrench in his hand. Meanwhile David, who has been up in his room reading a magazine on do-it-yourself mechanics, takes from his dresser a small cylindrical metal object which he then attempts to stash in Vicki’s room, but flies into hysterics after she walks in and catches him in the act. Joe stops by to pick up Carolyn for a date. They are planning on a movie, but when Carolyn finds out from Vicki that Burke will be at the Blue Whale to meet Roger, she talks Joe into taking her there instead, which is where he started a fight just the night before over Carolyn’s eager interest in the other men there. To top it off, Dark Shadows is featuring its very first in a long line of dry thunderstorms.
Continue reading “Episode 14: The Fifth Wheel”
If there’s one aspect of Dark Shadows that comes across as comedy, it’s the notion of romance. Naturally, because this is Detergent Land Drama, one shouldn’t expect to begrudge the characters with any happiness in that area, at least not for the long term, but when it comes to even finding a suitable mate the folks at Collinwood, and anyone who chances to come into even remote contact with them, are positively doomed!
Continue reading “Episode 8: Answers for the Future”
“They said this joint starts jumpin’ when the kids get here,” private detective Wilbur Strake notes approvingly to his client Burke Devlin as they sit at the bar in the Blue Whale observing the action on the dance floor. “They sure were right!”
There’s a party going on, and Carolyn Stoddard, daughter of Collinwood matriarch Elizabeth Stoddard, is at the center of it, frugging her way all around the room as surf-style guitar instrumental music is blaring from the jukebox.
In his story outline, Shadows on the Wall, Art Wallace describes Carolyn, seventeen, as “an attractive, vivacious young girl who enjoys every moment of life” and also as one who plays the field. Her introduction in the second episode of Dark Shadows certainly lives up to this description, because she is dancing with every available young man on the floor – everyone, that is, but her date, Joe Haskell, who sits at their table with a beer before him, looking sullen and forlorn while Carolyn, not bothering to notice, treats him more like a chaperone than a date.
Continue reading “Episode 2: A Friend of the Family”