Bill Malloy these days comes across as the man with all the answers; or at the very least appears to know the proper solutions, and the means of applying them, to save the Collins family from ruin in the face of Burke Devlin’s determined vendetta.
Knowledge can be a blessing; freeing you from short-sighted doubt as well as fear of the unknown. Knowledge can also be a curse; setting you apart from others while leaving you torn over sudden and unforeseen divided loyalties.
So what do you do when you’ve learned too much about the very people you rely on the most? If you’re Bill Malloy, you skip out on work for an afternoon and go to the Blue Whale where you can find a nice quiet table to drink things over for a while.
Continue reading “Episode 43: The Man Who Learned Too Much”
“The character of Sam Evans will be played by David Ford.”
Dark Shadows is known mainly as a “vampire soap” to even those with only a passing knowledge or awareness of the original TV series that aired weekday afternoons between 1966 and 1971.
Before rocketing into the public lexicon as television’s first vampire series, there were five gradual transformations that took place without which the “Barnabas era” of Dark Shadows would not have been possible.
The most significant transformation is, of course, the arrival of Barnabas Collins in 1967. The precursor to Barnabas was the phoenix story, featuring a fiery goddess threatening to consume and destroy the lives of all those with whom she comes in contact. The phoenix was the first supernatural monster on Dark Shadows. Before this was the first appearance of a ghost in episode 70, which was preceded in episode 52 by a supernatural occurrence in the Collinwood drawing room where a book was opened as if by the hand of an invisible spirit. The first essential transformation occurs here in episode 35 with the acting department, as David Ford joins the cast in the role of Sam Evans, taking over for Mark Allen who last appeared in episode 22.
Continue reading “Episode 35: A Great Dramatic Reading”
Today Victoria Winters is making her first visit to the Blue Whale, while enjoying her first alcoholic beverage since arriving in Collinsport – even though she’s underage.
The character of Victoria Winters, and the actress who plays her, is barely twenty. Burke Devlin, the man who bought her the drink, is over thirty.
Evidently, the bartender didn’t ask to see the young lady’s ID. In yesterday’s episode, he wouldn’t even shut down a drunk and hollering Joe Haskell.
This won’t be the last time on the show where older men will be plying drinks on young underage girls. In those days, you could get away with that kind of thing. Dark Shadows, during that unsupervised era of daytime television, manages to do just that.
Those were the days!
Continue reading “Episode 34: A Ripple in the Whirlpool”
In the previous episode we found out, through Elizabeth’s decision to protect David despite his having nearly gotten his father killed, what it means to be a Collins of Collinsport.
In this episode we find out, through the ravings of a drunken fisherman, precisely what is wrong with what it means to be a Collins of Collinsport.
Continue reading “Episode 33: She Loves Me, She Loves Me Drunk”
Burke Devlin is one of the more intriguing characters of Dark Shadows beginnings. You never really know if he’s a good guy or a bad guy. He gets on the right side of characters we like, especially Maggie and Sam Evans. On the other hand, despite appearances he seems insensitive with other characters we like, including Carolyn Stoddard, and derives amusement from antagonizing other characters we like, particularly Joe Haskell.
Still, you have to root for the underdog, and in terms of Burke Devlin that means Collinsport Inn vs. Collinwood mansion, Burke’s hotel room vs. the Collins family drawing room.
Episode 24 belongs to Burke Devlin, and is set exclusively on his “home” turf.
Continue reading “Episode 24: Taking Risks”
In a Manhattan television studio, a soap within a soap is playing out behind the scenes of a Gothic daytime drama. With tension rising, a troubled actor in a desperate moment lashes out with a burst of violence that may signal his downfall…
Continue reading “Episode 19: An Interest in Human Nature: More of The Perils of Mark Allen”
Long before Angelique made her debut on Dark Shadows, the summer of 1966 had its own witchy presence on the show in the first few weeks – in the form of director Lela Swift, who, with just a few spellbinding words spoken through a control room microphone, could make a supporting actor so nervous that he wouldn’t be able to perform his scenes effectively. He might even be forced to leave the show. It seems no one could escape the curse of Lela Swift.
Since the third week of taping, she has been on a verbal rampage leveled at supporting cast members that she can’t stand. In her war of attrition waged through her weapon of choice, the control room microphone, there will be collateral damage, where the innocent are made to be casualties, and in this episode it will be George Mitchell, the originator of the Matthew Morgan role.
Continue reading “Episode 16: The Curse of Lela Swift”