For Dark Shadows fans who view the series beginning with episode 210, Sam Evans is likely perceived as a sympathetic character. At the very least, he seems innocuous, and for the most part you feel for him because his daughter Maggie, a character who is universally well liked, is soon to be kidnapped and you understand the tortured anguish of a loving father who only wants for his daughter to be returned home safely. Even Roger Collins at one point manages to almost express a measure of sympathy for Sam’s plight – almost, that is.
But taking the series from the beginning, it’s a different story – and not just because the first actor who plays him, Mark Allen, doesn’t seem to find as much favor with Dark Shadows fans the way his successor to the role does, David Ford. Perhaps it’s the company he keeps.
Continue reading “Episode 7: Revenge and Retribution”
One of the charms of these early episodes of Dark Shadows is something I call “scene connectors.” Someone will close out a scene with a phrase or word, like when Joe Haskell asks Burke Devlin what he wants in exchange for what Devlin has offered him, and Devlin answers, “Information.” Then they cut away to the next scene, which begins by someone else taking up that key phrase or word but in a completely different context: “But I can’t give you any information,” Maggie Evans tells Roger Collins. “Pop’s a free soul, you know that. He wanders.” Just minutes ago, Roger, who is not such a free soul, wandered into the coffee shop just before closing time under the pretext of seeing if there’s “any coffee left in the hopper.” But what he really wants to know is where Sam Evans is. You’ll recall that in the previous episode Roger exploded when he realized that Burke Devlin is back in town – and what he needs this late hour is to pin down the whereabouts of a local artist who paints seascapes and sunsets. At this point Roger has something the viewer lacks: information.
Continue reading “Episode 3: Information”