Episode 24: Taking Risks

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Burke Devlin is one of the more intriguing characters of Dark Shadows beginnings. You never really know if he’s a good guy or a bad guy. He gets on the right side of characters we like, especially Maggie and Sam Evans. On the other hand, despite appearances he seems insensitive with other characters we like, including Carolyn Stoddard, and derives amusement from antagonizing other characters we like, particularly Joe Haskell.

 

Still, you have to root for the underdog, and in terms of Burke Devlin that means Collinsport Inn vs. Collinwood mansion, Burke’s hotel room vs. the Collins family drawing room.

 

Episode 24 belongs to Burke Devlin, and is set exclusively on his “home” turf.

 

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Episode 22: Facts and Justice: The Perils of Mark Allen Concludes

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Not many realize it, but Dark Shadows very nearly imploded before it could even complete five weeks of its initial thirteen-week cycle.

 

Mark Allen, originator of the role of Sam Evans, a minor but essential character, has become a huge liability. He has made unwanted, inappropriate sexual advances during rehearsal toward two of the actresses. During the taping of episode 19, he assaulted child actor David Henesy in the dressing room area after catching the nine-year-old trying to write a nasty accusation on his dressing room door.

 

David Henesy has since walked off the show, and refuses to return until Mark Allen is off the show.

 

To the credit of Dan Curtis, series creator and executive producer, no one has complained directly to him about any of the actions said to have been perpetrated by Mark Allen. He has only heard of these allegations through an intermediary, his episode director Lela Swift. Technically it’s only hearsay, until one of the accusers makes a case to him directly and in person.

 

There are financial constraints to think of. Back in episode 16, Lela shamed George Mitchell (originator of the Matthew Morgan role) off the show and tried to do as much during the taping of episode 17 to Fred Stewart (who debuted as Collins family physician Dr. Reeves). Breaking contract with George Mitchell means that Dan has to pay Mitchell for an additional seven episodes guaranteed by his contract for the first thirteen weeks. If he breaks contract by firing Mark Allen, then he’ll have to pay for another ten episodes. Most likely, he would have to pay for these broken contracts out of his own pocket, since the limited weekly budget for daytime programming doesn’t cover such unforeseen expenses.

 

But David Henesy isn’t under contract. According to David Henesy from an interview given for the thirty-fifth anniversary of Dark Shadows, “…I had not even signed a contract at the time. After my reading, I was ‘booked’ [hired],…” (35th Anniversary Dark Shadows Memories, A Conversation with David Henesy, p. 84)

 

So Dan Curtis has to make a decision: fire Mark Allen to get David Henesy back, or keep Mark Allen on and risk losing Dark Shadows. You could always get another David Collins, but where on earth are you going to find another David Henesy?

 

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Episode 14: The Fifth Wheel

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To close out his visit at Collinwood, Burke has asked Roger to drive into town to meet him at the Blue Whale to discuss a business matter. A short time later, Burke is found by Vicki in the garage standing next to Roger’s car with a wrench in his hand. Meanwhile David, who has been up in his room reading a magazine on do-it-yourself mechanics, takes from his dresser a small cylindrical metal object which he then attempts to stash in Vicki’s room, but flies into hysterics after she walks in and catches him in the act. Joe stops by to pick up Carolyn for a date. They are planning on a movie, but when Carolyn finds out from Vicki that Burke will be at the Blue Whale to meet Roger, she talks Joe into taking her there instead, which is where he started a fight just the night before over Carolyn’s eager interest in the other men there. To top it off, Dark Shadows is featuring its very first in a long line of dry thunderstorms.

 

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Episode 8: Answers for the Future

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If there’s one aspect of Dark Shadows that comes across as comedy, it’s the notion of romance. Naturally, because this is Detergent Land Drama, one shouldn’t expect to begrudge the characters with any happiness in that area, at least not for the long term, but when it comes to even finding a suitable mate the folks at Collinwood, and anyone who chances to come into even remote contact with them, are positively doomed!

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Episode 3: Information

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One of the charms of these early episodes of Dark Shadows is something I call “scene connectors.” Someone will close out a scene with a phrase or word, like when Joe Haskell asks Burke Devlin what he wants in exchange for what Devlin has offered him, and Devlin answers, “Information.” Then they cut away to the next scene, which begins by someone else taking up that key phrase or word but in a completely different context: “But I can’t give you any information,” Maggie Evans tells Roger Collins. “Pop’s a free soul, you know that. He wanders.” Just minutes ago, Roger, who is not such a free soul, wandered into the coffee shop just before closing time under the pretext of seeing if there’s “any coffee left in the hopper.” But what he really wants to know is where Sam Evans is. You’ll recall that in the previous episode Roger exploded when he realized that Burke Devlin is back in town – and what he needs this late hour is to pin down the whereabouts of a local artist who paints seascapes and sunsets. At this point Roger has something the viewer lacks: information.

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Episode 2: A Friend of the Family

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“They said this joint starts jumpin’ when the kids get here,” private detective Wilbur Strake notes approvingly to his client Burke Devlin as they sit at the bar in the Blue Whale observing the action on the dance floor. “They sure were right!”

There’s a party going on, and Carolyn Stoddard, daughter of Collinwood matriarch Elizabeth Stoddard, is at the center of it, frugging her way all around the room as surf-style guitar instrumental music is blaring from the jukebox.

In his story outline, Shadows on the Wall, Art Wallace describes Carolyn, seventeen, as “an attractive, vivacious young girl who enjoys every moment of life” and also as one who plays the field. Her introduction in the second episode of Dark Shadows certainly lives up to this description, because she is dancing with every available young man on the floor – everyone, that is, but her date, Joe Haskell, who sits at their table with a beer before him, looking sullen and forlorn while Carolyn, not bothering to notice, treats him more like a chaperone than a date.

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Episode 1: “Next Stop, Collinsport!”

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From the beginning, Dark Shadows lives up to its name. Full of mysterious characters with secrets to be kept, the debut episode, and the three that follow, is set during the nighttime, when a sense of foreboding pervades the deepest, when the ghosts of yesterday seem the most threatening, piercing the looming shades of darkness like the light of an oncoming train.

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