Episode 18: Can I Get a Witness?

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Episode 18 is an exercise in minimalism. The first year of Dark Shadows is known for episodes with a full cast, lots of extras, and exterior filming. But this episode has none of those things: apart from the usual glimpse from the back lawn of the “Collinwood” mansion at the beginning, no location footage, no extras, and only three actors. In fact, this is only one of a handful of episodes in the entire series to feature just three actors. And it’s all within the confines of Collinwood itself: Vicki’s room, the upstairs hallway, David’s room, and the downstairs foyer and drawing room are all we see in these twenty-two plus minutes.

 

It’s still the night of Roger’s car accident, but he can’t sleep at this late hour. After discovering that someone most definitely tampered with the brakes on his car, he figures it must have been Burke Devlin, who David’s governess Victoria Winters found standing in the garage by Roger’s car with a wrench in his hand, after having invited him into town for a meeting to discuss a business deal.

 

This is only Vicki’s second night at Collinwood, and for the second time in as many nights she is dragged out of bed to face yet another drawing room interrogation from Roger about Burke Devlin. Before heading out to Burke’s hotel room at the Collinsport Inn, Roger needs to get a witness who saw him there in the garage near the car and find out what Miss Winters knows and what it was exactly that she saw, so that he can then confront Devlin in person and throw the whole thing right in his face.

 

So that’s why other cast members wouldn’t be needed. This late at night, Elizabeth and Carolyn would be sleeping. It’s only the people directly involved with Roger’s accident, those who either experienced or witnessed something, who would be awake at this time of night.

 

Which leaves David. He can’t sleep either. In fact, in the previous episode he woke up several times in the night with bad dreams, screaming to his aunt Elizabeth that he didn’t mean to kill “him.” In this episode, he’s in his room, in pajamas and bathrobe, crushing one of his model cars with his foot and then tossing it out the window. Soon after, he confesses to his governess, “I wrecked a car.” That should be a tip-off, to Vicki at least, that there is a special reason for David being up this late. A nine-year-old boy doesn’t stay up until around midnight just to stomp on a toy car, and then hint that he just did something that might give his governess reason to call the police and have him arrested.

 

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Episode 17: Swiftenstein Must Be Destroyed!

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With Dark Shadows starting out on a fledgling network whose daytime lineup struggled to achieve competitive ratings even in the best of circumstances, one has to wonder what good it does for a show that’s only been on the air a few days to have the director actively sabotaging the entire supporting cast.

 

Dark Shadows director Lela Swift has had Mark Allen, who plays Sam Evans, in her sights since the third week of taping kicked off. That same week George Mitchell, who played Collins estate caretaker Matthew Morgan, had several mishaps during a scene while eating egg whites that came from a nearby greasy spoon. So the next time he was on, Lela took to complaining about him over the control room microphone and in the process cursing him with such an attack of nerves that he couldn’t perform. He was gone by the end of that day’s taping. Now Lela is gunning for lovable Fred Stewart, who makes his Dark Shadows debut as Dr. Reeves, but if she has her way it will be his swan song as well. Her complaints during the taping of this episode become so mean-spirited that she practically turns into a monster.

 

There can be only one solution to keep Dark Shadows from imploding even before it can complete its first thirteen-week cycle: Swiftenstein must be destroyed!

 

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Episode 16: The Curse of Lela Swift

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Long before Angelique made her debut on Dark Shadows, the summer of 1966 had its own witchy presence on the show in the first few weeks – in the form of director Lela Swift, who, with just a few spellbinding words spoken through a control room microphone, could make a supporting actor so nervous that he wouldn’t be able to perform his scenes effectively. He might even be forced to leave the show. It seems no one could escape the curse of Lela Swift.

 

Since the third week of taping, she has been on a verbal rampage leveled at supporting cast members that she can’t stand. In her war of attrition waged through her weapon of choice, the control room microphone, there will be collateral damage, where the innocent are made to be casualties, and in this episode it will be George Mitchell, the originator of the Matthew Morgan role.

 

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Episode 13: Meeting in the Odd Places

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It’s a Wednesday in 1966, and Burke Devlin has been hanging out in the drawing room at Collinwood since Monday. Fortunately, there’s plenty of brandy on hand to keep him hydrated while he chats with Liz and waits for Roger to show up, who’s been avoiding the drawing room since last Friday, ever since Carolyn brought Burke to Collinwood.

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Episode 12: “Who Cares?” …or, The Perils of Mark Allen

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The tension at Collinwood is building. Burke Devlin is waiting patiently in the drawing room for Roger to walk in. It seems that an unpleasant confrontation is inevitable. But today the real drama is unfolding in another part of town, where a man fears for his life.

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Episode 11: The Trojan Horse

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What Elizabeth Stoddard doesn’t know is that her nephew David has just that day done something that will not only bring the police around to Collinwood, but may also destroy the good name of Collins forever. What Elizabeth Stoddard does know is that her daughter Carolyn has just now not only brought an enemy around to Collinwood, but she may also help destroy the good name of Collins forever. It’s been a long day at Collinwood, seven episodes so far, and it’s about to get a lot longer.

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