It almost feels like the supernatural era of Dark Shadows starts right here in episode 50.
Aside from the fact that a man Elizabeth Stoddard has known for twenty-five years is still missing, these late evening scenes in and around the Collinwood estate carry a decidedly ominous tone throughout.
There’s talk of ghosts and tragic family legends, the Wailing Widows, and premonitions of death courtesy of a nine-year-old boy with a crystal ball who seems to know for certain what grim and deathly portents this night will bring forth and for whom.
Lately daytime television’s first gothic serial drama has been branching into mystery and suspense, and here in this episode story creator and developer Art Wallace is reaching back for the supernatural and noirish mid-1940s inspirations of Dark Shadows to bring a kind of otherworldly atmosphere to the current story, enough so that the viewer would possibly be wondering whether Bill Malloy’s disappearance may be the result of darker, more paranormal forces at work.
Episode 50 is about as close to the supernatural as Dark Shadows has gotten thus far without actually crossing over; it will be in one of next week’s episodes when the lines between the physical and spirit worlds really begin to blur.