One of the best things about the first year of Dark Shadows is Nancy Barrett. Despite all of Carolyn Stoddard’s faults, not the least of which being her borderline incestuous crush on her uncle Roger, the emphatic range Nancy Barrett brings to her performances simply makes the character nothing short of enchanting. It’s here in episode 40 where such a quality is brought home to epitomize what makes Nancy Barrett so great in the role of Carolyn Stoddard.
There are a good many fans who only follow the show from episode 210 where the Barnabas era begins, and for this reason alone the first two hundred nine episodes remain one of the best kept secrets among Dark Shadows fandom. Yet for those who appreciate the fantastic performances of talented actors bringing characters to life with definitive depth, these early episodes contain some of the finest, most memorable moments in the entire series.
Here in episode 40, greatness abounds not only in scenes with Nancy Barrett as Carolyn Stoddard, but also in those with David Ford as Sam Evans. In the post for episode 41, we’ll recognize what David Ford achieves in one of his more magnificent moments on Dark Shadows; for now, let’s shine a light on what Nancy Barrett brings to define her portrayal of Carolyn Stoddard in the absolute.
Continue reading “Episode 40: Coffee Time”
Sam Evans likes to keep pretty much to himself. Unfortunately, a number of people continually impose on him, folks he’d rather not see or talk to. He’s a painter who’s been commissioned to paint a portrait he doesn’t want to paint, and will even feign a headache to cut the portrait sitting short. On top of this, another man he doesn’t want to see barges in to talk about things Sam just doesn’t want to talk about; if that weren’t enough, the intruder even goes so far as to seize Sam’s bottle of whiskey to prevent him from even pouring himself a drink in his own living room. On that same morning, this demanding interloper will not only consider threatening him with murder, but will also offer him a sizeable bribe to leave his life and livelihood behind. After managing to get rid of the unwanted portrait subject, he begins losing his temper while trying to usher away trespasser number one, during which invader number three, Collins family business manager Bill Malloy, just walks right in through the front door without so much as a knock. When Sam raises a complaint, Bill simply tells him it’s his own fault for leaving the door unlocked.
That’s what happens in Collinsport, if you don’t bar the door, when something from your past you’d rather keep hidden comes calling right at your doorstep. Still, it could be worse, considering what the future holds in store for Evans cottage, with the gallery of Universal monsters that will someday be encroaching on his domain; a gentleman vampire caller who just can’t keep his fangs away from his daughter, a Frankenstein type man child who breaks in to borrow and brandish a huge carving knife while Sam is away at the pub for an evening drink, a werewolf in the night who just jumps crashing through the front window hungry and growling for any kind of action it can find.
There will come a time when Sam will long for the good old days of only the year or two before when it was just Burke Devlin, the old friend he betrayed long ago, Roger Collins, the man who imprisoned him in a pact of silence, and Bill Malloy, the wise old owl who comes around asking too many questions, that he would be trying to keep from seeking him out.
First thing in the morning here in the summer of sixty-six it’s open house at Evans cottage, and no one is invited.
Continue reading “Episode 39: Open House at Evans Cottage”